Category Archives: Film Review
Review: First Man (2018)
We all know this story. If you were alive for the Moon Landing then you watched it, if you weren’t then you’ve still seen the footage. With FIRST MAN, Damien Chazelle explores the cost and the impact of getting the … Continue reading
Review in Brief: I Kill Giants (2017/18)
I KILL GIANTS is worth watching for many reasons, but one of the simpler pleasures on offer is the offhand way a character says the line “My older brother was misbegotten”. It feels like A MONSTER CALLS meets BRIDGE TO … Continue reading
Review: Journeyman (2017/18)
I really don’t know how he does it. TYRANNOSAUR singled Paddy Considine out as a filmmaker to watch, one with a clear and distinct voice all his own. But apparently just writing and directing just didn’t quite satisfy his creative … Continue reading
Review: Venom (2018)
VENOM is a bad movie. I shock you, I know. It’s not the worst SPIDER-MAN movie ever, but that’s mostly because Marvel Studios wouldn’t let Sony rent Spidey back for a cameo. The scant lip service they’re allowed to give … Continue reading
Review in Brief: Manhunt (2017/18)
Surprise, surprise, John Woo’s latest is very John Woo. MANHUNT’s action may take a while to really ramp up, but once it does you’ve got more people flying through the air, sliding along surfaces and rapidly expending and replacing guns … Continue reading
Review: A Simple Favour (2018)
A SIMPLE FAVOUR is certainly something. I like going into a film without the faintest idea of what to expect and still having a really good time (GAME NIGHT was the other one of those for me this year). Paul … Continue reading
Review: The Predator (2018)
THE PREDATOR is frustrating for a number of reasons. That said, it’s also (damning with faint praise) the best Predator sequel we’ve had so far. The extraterrestrial Predator species returns to Earth in the form of a fleeing renegade carrying … Continue reading
Review in Brief: Hostiles (2017)
I don’t think we’re ever going to see a Western that’s not bleak again; it just wouldn’t be taken seriously. We’ve had an influx of de-romanticised frowny-face examples of America’s Favourite Genre over the last few years (this is my … Continue reading
50s Review: Rear Window (1954)
Alfred Hitchcock loved screwing with his audience. From the many Macguffins scattered throughout his works to killing off protagonists halfway through and making us doubt our own perceptions, he used pretty much every twist and trick in a skilled director’s … Continue reading