Category Archives: Film Review

Review: Parasite (2019)

I fell in love with the genre-hopping, tonally-tromboning work of South Korean firebrand Bong Joon-ho at university and ended up writing my dissertation on how his films represent fractured families and Korean culture. I’ve been waiting for PARASITE for what … Continue reading

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Review in Brief: Atlantics (2019)

I didn’t know what to expect from ATLANTICS. You’re drawn in with a social realist take but what stays with you is the magical realism that comes into this Senegalese story’s second half. Construction worker Souleiman (Traore) protests against unpaid … Continue reading

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Review: Little Women (2019)

There have been plenty of reviews by men that open with “I haven’t read the book but…” and I’m unfortunately going to have to add to that pile. It’s not deliberate ignorance, it’s just a classic I’ve just never gotten … Continue reading

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Review: Cats (2019)

I’m not trying to offend anyone who genuinely enjoys Andrew Lloyd Webber’s smash hit musical – I like some strange things too – but I personally found CATS on stage unbearable. Even the better songs on the soundtrack just cling … Continue reading

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1917 (2019) Review

https://www.thefilmagazine.com/1917-war-movie-review-sammendes-oscarsbaftacontender/ SSP

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Review in Brief: For Sama (2019)

How to you begin to describe FOR SAMA? You don’t – you tell others to watch it. It’s not just a documentary, but a chronicle of a remarkable life in the most tragic of circumstances, an important socio-historical document and … Continue reading

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Review in Brief: The Two Popes (2019)

THE TWO POPES works for the same reason that THE CROWN on TV works – it treats icons as people, brings them down to the level of the rest of us normal folks. The transition from Pope Benedict to Francis … Continue reading

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Review in Brief: The Nightingale (2018/19)

THE NIGHTINGALE is a gruelling and relentlessly bleak watch, but it’s compelling stuff nonetheless. Jennifer Kent followed up her fascinatingly unique genre debut THE BABADOOK with a dark, raw and grounded historical epic. There’s a captivating core relationship dynamic: an … Continue reading

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Review: The Irishman (2019)

THE IRISHMAN has two of the saddest tracking shots in cinema history; one at the beginning and one at the end, both set in a retirement home and both filled with regret. That’s the prevailing emotion in all of this … Continue reading

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Review in Brief: Tell Me Who I Am (2019)

TELL ME WHO I AM hits like a train. A captivating true story that asks questions about memory, deception, morality and perspective, you won’t be able to shake this one off for a good long while. The crazy true story … Continue reading

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