Tag Archives: Netflix

Review: Private Life (2018)

This review contains spoilers for PRIVATE LIFE. Netflix are having a pretty stellar year of original content. I mean, the bad stuff is still pretty bad, but the good stuff is really good and often takes you by surprise. I … Continue reading

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Review in Brief: Hold the Dark (2018)

Blue, green, dark? Dark isn’t a colour Jeremy Saulnier! HOLD THE DARK is relentlessly miserable and pointlessly vague. I get that Saulnier doesn’t seem to have much faith in humanity, that he is depicting real monsters whose actions could never … Continue reading

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Review: Journeyman (2017/18)

I really don’t know how he does it. TYRANNOSAUR singled Paddy Considine out as a filmmaker to watch, one with a clear and distinct voice all his own. But apparently just writing and directing just didn’t quite satisfy his creative … Continue reading

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Review in Brief: Manhunt (2017/18)

Surprise, surprise, John Woo’s latest is very John Woo. MANHUNT’s action may take a while to really ramp up, but once it does you’ve got more people flying through the air, sliding along surfaces and rapidly expending and replacing guns … Continue reading

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Underwhelming Netflix Sci-fi Double Bill: We’ve been here before, but better

It’s been widely discussed that Netflix is fast-becoming a graveyard for genre films. It seems like whenever a major studio has doubts about a project in development (particularly horror or sci-fi), or one which is approaching release with too much … Continue reading

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Review: Annihilation (2018)

Fear not, viewers outside North America, despite reaching us through Netflix ANNIHILATION is not another straight-to-streaming stinker. In fact, Alex Garland’s second film as director is a thought provoking, odd and uniquely beautiful beast. A military-science expedition into a quarantined … Continue reading

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Review in Brief: A Futile And Stupid Gesture (2018)

Netflix really were straight out of the gate with their 2018 Originals. I hope it’s further evidence of them being enticing for risky, different projects and that we’re not just going to get a deluge of mediocrity. National Lampoon biopic … Continue reading

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Review: Darkest Hour (2017)

DARKEST HOUR left me cold. Yes, Gary Oldman will probably win the Oscar for portraying Winston Churchill. Yes, he probably should. And yet, something about the presentation of the film around him left me feeling pretty empty and disconnected. May … Continue reading

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Review: The Open House (2018)

My first new movie of 2018 is a Netflix Original, mostly because between moving house and being ill, I haven’t managed to get to the cinema to see any Oscar Bait in January. OPEN HOUSE has a lot we’ve seen … Continue reading

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Review in Brief: Bright (2017)

“Only a Bright can control the power of the wand”. That’s really how BRIGHT opens. Then we see “Curse the police” on a wall. Whatever its intention, Bright comes across as a massive piss-take of Black Lives Matter. Just in … Continue reading

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