Tag Archives: Horror

Review in Brief: The Sadness (2021)

Remember the first time you saw THE RAID? Remember that feeling of being completely floored by the sheer artistry of its ultraviolence? Well, Taiwanese horror THE SADNESS conjures up that same feeling, but with even more extreme imagery and through … Continue reading

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‘The Cabin in the Woods’ at 10 – Review

https://www.thefilmagazine.com/cabin-in-woods-10-years-review/ SSP

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Morbius (2022) Review

https://www.thefilmagazine.com/morbius-leto-movie-review/ SSP

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Review in Brief: Scream (2022)

Re-quels (reboot/sequel hybrids) are the flavour of the month in Hollywood and they vary wildly in execution. SCREAM is on the upper end of the scale, with a killer (pun intended) first half and just the right amount of fanservice … Continue reading

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Review in Brief: Titane (2021)

TITANE, isn’t that the car-f***ing movie? Yes, and so much more. Writer-director Julia Ducornau (RAW) has, within five years, unleashed on the world two of the most transcendent, bold and both warm and messed up films of the 21st century … Continue reading

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Review in Brief: Last Night in Soho (2021)

Edgar Wright’s latest is another dazzling, musically-lead genre cocktail that might not feel quite as singular as BABY DRIVER but still demonstrates that he is the best there is at this sort of thing. Thomasin McKenzie is Eloise, a fashion … Continue reading

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Original vs Remake: Let the Right One In vs Let Me In

https://www.thefilmagazine.com/let-the-right-one-in-vs-let-me-in/ SSP

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10 Great Australian Horror Films

https://www.thefilmagazine.com/10-great-australian-horror-films/ SSP

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Review in Brief: Candyman (2021)

You have to respect Nia DaCosta’s CANDYMAN for going hard, not going home. In this belated sequel to the 1992 film, struggling artist (Yahya Abdul-Mateen II) and his curator girlfriend (Teyonah Parris) living in the gentrified area of Chicago previously … Continue reading

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Review in Brief: Werewolves Within (2021)

WEREWOLVES WITHIN is an absolute treat for horror-comedy fans, and cements Josh Ruben as a new master of meta scares. Not many horrors would open with a Mr Rogers quote, but it works creepily, atonally well. Believe it or not … Continue reading

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