Category Archives: Film

Come to Daddy (2019) Review

Posted on July 2, 2020 by Sam S-P

https://www.thefilmagazine.com/come-to-daddy-elijahwood-movie-review/ SSP

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The Vast of Night (2019) Review

Posted on June 29, 2020 by Sam S-P

https://www.thefilmagazine.com/vast-of-night-andrewpatterson-movie-review/ SSP

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Top 10 Alfred Hitchcock Films

Posted on June 26, 2020 by Sam S-P

https://www.thefilmagazine.com/10-best-alfred-hitchcock-films/ SSP

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Review in Brief: The Half of It (2020)

Posted on June 23, 2020 by Sam S-P

At first THE HALF OF IT fools you into thinking it’s going to be just another quirky teen romcom. It is so much more layered than that – the story of an over-achiever (Leah Lewis) switching up her homework-for-cash business … Continue reading →

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Review in Brief: Crip Camp: A Disability Revolution (2020)

Posted on June 23, 2020 by Sam S-P

CRIP CAMP really got me. In a world that’s seemingly more unjust and unequal every day, in 2020 this heartfelt documentary reminds you of a time 40 years ago when civil rights took a giant leap forward. Camp Jened gave … Continue reading →

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Review: The Assistant (2019/20)

Posted on June 12, 2020 by Sam S-P

There are plenty of films about the artistic side of the filmmaking process, but very few about the business side of the industry and next-to-none about the daily office work involved in getting films made. Kitty Green’s THE ASSISTANT is … Continue reading →

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Disney Renaissance Movies Ranked

Posted on May 30, 2020 by Sam S-P

https://www.thefilmagazine.com/disney-renaissance-movies-ranked/ SSP

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Calm with Horses (2019) Review

Posted on May 28, 2020 by Sam S-P

https://www.thefilmagazine.com/calm-with-horses-movie-review/ SSP

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Uncorked (2020) Review

Posted on May 27, 2020 by Sam S-P

https://www.thefilmagazine.com/uncorked-2020-netflix-movie-review/ SSP

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Review in Brief: The Platform (2019)

Posted on May 26, 2020 by Sam S-P

THE PLATFORM may feel relevant but it’s extremely obvious in its use of metaphor. One character (Zorion Eguileor) has a catchphrase, responding to every passing comment of his cell mate (Iván Massagué) with a derisive “Obviously”. “Obviously” could be this … Continue reading →

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