Author Archives: Sam S-P

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About Sam S-P

Writer and film fanatic fond of black comedies, sci-fi, animation and films about dysfunctional families.

Review in Brief: John Wick: Chapter 2 (2017)

JOHN WICK: CHAPTER 2 loses some of the original’s freshness, but it retains a tonne of entertainment value. The action scenes are inventive and bloody, of particular note a glossy ENTER THE DRAGON homage (yes, it’s a homage, not a … Continue reading

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Review in Brief: Resident Evil: The Final Chapter (2016)

At least the first one had momentum. RESIDENT EVIL: THE FINAL CHAPTER represents a tired franchise thankfully put to bed (until the reboot). The competent action is made far less enjoyable by Paul WS Anderson’s usual janky editing and tendency … Continue reading

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Review: Baby Driver (2017)

BABY DRIVER isn’t just Edgar Wright’s long-awaited return to work after being stung by a big studio. Wright’s first American film also represents his coming of age as a filmmaker. Maturity on film isn’t just about going darker or toning … Continue reading

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TV Review in Brief: American Gods Season 1 (2017)

The Brian Fuller-fronted adaptation of Neil Gaiman’s neo-fantasy epic AMERICAN GODS for me is a great take on this material. It vividly recreates many of the weird and wonderful moments from the first stretch of the book, but the series’ … Continue reading

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12 for Twelve: The Best of the Twelfth Doctor

Series 10 may well be the best DOCTOR WHO series finale of the revived series. It’s certainly one of the darkest stories in the show’s history and a high point for writer Steven Moffat. Now Peter Capaldi’s time as the … Continue reading

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Review in Brief: A United Kingdom (2016)

There’s not a whole lot wrong with A UNITED KINGDOM, but at the same time there’s also very little to set the world on fire. You can imagine it becoming a firm favourite for cosy Sunday afternoon viewing in years … Continue reading

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Review: Notes on Blindness (2016)

If you are able, stop what you are doing right now and go watch NOTES ON BLINDNESS. It is a sublime, painfully moving, almost religious experience. While it draws influence from many a source, you’ve never seen a documentary quite … Continue reading

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Review in Brief: The Void (2017)

THE VOID, appropriately enough, starts with a void. It also starts as a taut, tense suspense horror but disappointingly becomes too derivative and something far less in its final act. Cult psychos without, Lovecraftian horrors within; the film is at … Continue reading

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Review in Brief: The Young Offenders (2016)

Two adorable scallywags on a pushbike road trip and demonstrating stupidity, heart and Gallic humour aplenty? I’m in. The dual leads (Alex Murphy and Chris Walley, sporting equally horrendous teen face fuzz and questionable fashion sense) could have great things … Continue reading

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Review in Brief: Jackie (2016)

Natalie Portman is pretty near perfect as Jackie Kennedy. There’s nowhere to hide with her forever centre-frame and sometimes uncomfortably close up when she is at her most vulnerable. I would have preferred more scenes with the priest (sadly not … Continue reading

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