Category Archives: Film

Review in Brief: Archive (2020/21)

Indie sci-fi ARCHIVE wears its genre influences on its sleeve – MOON, EX MACHINA, SILENT RUNNING an iconic sequence lifted wholesale from GHOST IN THE SHELL. An engineer (Theo James) develops a series of increasingly sophisticated robot bodies to house … Continue reading →

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Review in Brief: Pieces of a Woman (2020)

While some of its speeches might be a little too mannered and stagey (if still gamely performed by the cast) PIECES OF A WOMAN still comes out on the captivating side. How grief corrupts and deforms people is not sugarcoated … Continue reading →

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Review in Brief: One Night in Miami… (2020)

In 1964, Malcolm X, Cassius Clay, Sam Cooke and Jim Brown met at a Miami hotel and spent the night in Malcom X’s room. That’s what we know happened – director Regina King and writer Kemp Powers imagine what was … Continue reading →

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Review in Brief: Wonder Woman 1984 (2020)

Whatever went on behind the scenes, however the slow implosion of the DCEU effected its final, flawed form, I absolutely get what director Patty Jenkins was going for with WONDER WOMAN 1984. It’s a big, goofy and outlandish comics Silver … Continue reading →

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Terminator Movies Ranked

https://www.thefilmagazine.com/terminator-movies-ranked/ SSP

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Soul (2020) Review

https://www.thefilmagazine.com/soul-pixar-animation-movie-review/ SSP

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Looking Back and Looking Forward: 2020

Before I press on with my usual roundup of the year’s releases, I’ll put forward a few other films that have hit me particularly hard this year. What should you watch to see out this most awful of awful twelve … Continue reading →

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Review in Brief: Time (2020)

TIME is a must-see documentary about injustice and inequality in the US penal system, one that makes  you wonder how much longer urgently-needed reforms can be avoided if films like this keep getting made and scores of victimised citizens’ stories keep … Continue reading →

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Sam Sewell-Peterson’s 10 Best Films of 2020

https://www.thefilmagazine.com/10-best-films-2020-sam-sewell-peterson/ SSP

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Review in Brief: Babyteeth (2019/20)

With a premise that could have either been maudlin or saccharine (teenager with cancer falls for a bad boy) BABYTEETH instead ends up being bittersweet, often joyous and lyrical. This is musical filmmaking without actually being a musical with its … Continue reading →

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