Category Archives: Film Review
Review: Okja (2017)
I’ve loved the work of South Korean genre-manipulator Bong Joon-ho since university. Criminally, we never got his last film SNOWPIERCER in the UK (at least not officially), so the fact that his latest, OKJA, has gone straight to Netflix is … Continue reading
Review in Brief: The First Film (2015)
Boast time: I’ve met David Wilkinson. He gave a guest lecture on film distribution while I was studying Film at university. As a fellow Yorkshireman, I wanted him to be right about the first film being produced in this great … Continue reading
Review: Spider-Man: Homecoming (2017)
SPIDER-MAN: HOMECOMING is a case of too many cooks. This isn’t surprising considering this is a joint venture between Marvel (who provide the universe the film inhabits, plus that stamp of quality) and Sony (who retain the characters and the … Continue reading
Review in Brief: John Wick: Chapter 2 (2017)
JOHN WICK: CHAPTER 2 loses some of the original’s freshness, but it retains a tonne of entertainment value. The action scenes are inventive and bloody, of particular note a glossy ENTER THE DRAGON homage (yes, it’s a homage, not a … Continue reading
Review: Baby Driver (2017)
BABY DRIVER isn’t just Edgar Wright’s long-awaited return to work after being stung by a big studio. Wright’s first American film also represents his coming of age as a filmmaker. Maturity on film isn’t just about going darker or toning … Continue reading
TV Review in Brief: American Gods Season 1 (2017)
The Brian Fuller-fronted adaptation of Neil Gaiman’s neo-fantasy epic AMERICAN GODS for me is a great take on this material. It vividly recreates many of the weird and wonderful moments from the first stretch of the book, but the series’ … Continue reading
Review in Brief: A United Kingdom (2016)
There’s not a whole lot wrong with A UNITED KINGDOM, but at the same time there’s also very little to set the world on fire. You can imagine it becoming a firm favourite for cosy Sunday afternoon viewing in years … Continue reading
Review: Notes on Blindness (2016)
If you are able, stop what you are doing right now and go watch NOTES ON BLINDNESS. It is a sublime, painfully moving, almost religious experience. While it draws influence from many a source, you’ve never seen a documentary quite … Continue reading
Review in Brief: The Void (2017)
THE VOID, appropriately enough, starts with a void. It also starts as a taut, tense suspense horror but disappointingly becomes too derivative and something far less in its final act. Cult psychos without, Lovecraftian horrors within; the film is at … Continue reading
Review in Brief: The Young Offenders (2016)
Two adorable scallywags on a pushbike road trip and demonstrating stupidity, heart and Gallic humour aplenty? I’m in. The dual leads (Alex Murphy and Chris Walley, sporting equally horrendous teen face fuzz and questionable fashion sense) could have great things … Continue reading
SSP Thinks Film 