Review in Brief: Emma. (2020)

Rarely has Jane Austen’s work been funnier on film. OK, her work as presented in LOVE & FRIENDSHIP was funnier, but that was mostly because Tom Bennett plays the perfect idiot. EMMA, the film and the character (Anya Taylor-Joy) is witty, bitchy and sharp, but she may well give way to a romantic happily ever after in the end. In her first directed feature, Autumn de Wilde shows an assured hand and brings the very best out of her cast (as well as Taylor-Joy, Bill Nighy, Miranda Hart and Johnny Flynn are particularly good). The aching beauty of Christopher Blauvelt’s cinematography is somewhat at odds with the uncomfortable comedy of awkwardness and the film’s runtime can feel much longer if you’ve got limited patience for Emma’s awfulness. Still worth a watch, but perhaps an acquired taste even for Austen fans. SSP

About Sam Sewell-Peterson

I'm not paid to write about film - I do it because I love it. Favourite filmmakers include Bong Joon-ho, Danny Boyle, the Coen Brothers, Nicolas Winding Refn, Clio Barnard Steven Spielberg, Guillermo del Toro, Taika Waititi and Edgar Wright. All reviews and articles are original works owned by me. They represent one man's opinion, and I'm more than happy to engage in civilised debate if you disagree.
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