Review in Brief: Mute (2018)

I’m so pleased Duncan Jones got this one out of his system. It’s just a shame MUTE doesn’t feel fresher or more complete. Speechless protagonist Leo (Alexander Skarsgard, cast for his big sad eyes) is Amish . Except for when he isn’t. Yes, Leo sits with his back to the TV, but he also has family photos (which promote vanity) and uses desk lamps and modern plumbing (both of which are conveniences of modern life). I know some visual similarities to last year’s BLADE RUNNER 2049 were likely coincidental, but there’s also an exotic dancer in gold bodypaint and a clear plastic poncho that unwisely invites comparisons to Ridley Scott’s original, as does his less smoggy future city (if there’s one city that’ll stay shiny and well-run even if the rest of the world goes to hell, it’s Berlin). I’ll say one thing for Mute: the relationship between Paul Rudd and Justin Theroux’s incredibly dark characters is fascinating, but one thing working isn’t enough. SSP

About Sam Sewell-Peterson

I'm not paid to write about film - I do it because I love it. Favourites include Bong Joon-ho, Danny Boyle, the Coen Brothers, Nicolas Winding Refn, Steven Spielberg, Guillermo del Toro, Taika Waititi and Edgar Wright. All reviews and articles are original works owned by me. They represent one man's opinion, and I'm more than happy to engage in civilised debate if you disagree.
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3 Responses to Review in Brief: Mute (2018)

  1. Pingback: Underwhelming Netflix Sci-fi Double Bill: We’ve been here before, but better | SSP Thinks Film

  2. Pingback: Review in Brief: Hold the Dark (2018) | SSP Thinks Film

  3. Pingback: Looking Back and Looking Forward: 2018, Part 1 | SSP Thinks Film

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