Review: Death Note (2017)

DEATH NOTE isn’t very good. That’s not to say the premise isn’t clever, or the original Japanese source material not worth your attention, but Adam Wingard’s American film adaptation agonisingly squanders potential at every turn. This upsets me, because I usually like Wingard’s work. The characters are all detestable, the actors’ performances jarringly strange (and I’m not even talking about the murder demon voiced by Willem Dafoe) and the plotting makes it feels like you’re turning over at least two script pages at a time. Even the more fun and out-there elements (orphans trained to be super-detectives, the power to kill anyone in any way with a thought) that could have made this a cult curiosity are presented completely straight-faced and without any self-awareness. The film admittedly looks good, with time and care taken with lighting, cinematography and special effects, but you just can’t care about what happens to anyone in this story. SSP

About Sam Sewell-Peterson

I'm not paid to write about film - I do it because I love it. Favourites include Sam Mendes, Guillermo del Toro, Bong Joon-ho, Steven Spielberg, Danny Boyle, Edgar Wright, Taika Waititi and the Coen Brothers. All reviews and articles are original works owned by me. They represent one man's opinion, and I'm more than happy to engage in civilised debate if you disagree.
This entry was posted in Film, Film Review and tagged , , , . Bookmark the permalink.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s