https://www.thefilmagazine.com/ant-man-wasp-quantumania-2023-review/ SSP
Ant-Man and the Wasp: Quantumania (2023) Review
Where to Start with Mike Leigh
Brian and Charles (2022) Review
Six Decades of Spielberg
Review in Brief: Something in the Dirt (2022)
Justin Benson and Aaron Moorhead’s follow-up to the weird THE ENDLESS and the (slightly) more mainstream SYNCHRONIC is another low-key, cerebral sci-fi, this time filmed mostly in Moorhead’s own LA apartment out of Lockdown necessity. Two new neighbours discover a strange, unexpectedly musical physics phenomenon in the corner of an apartment living room and set about trying to make a documentary about it, putting pressure on their relationship and throwing up shocking personal revelations in the process. It’s a credit to Moorhead and Benson’s creative partnership, their inventiveness, craftsmanship and on-screen chemistry that their projects continue to be so compelling and unique. You never get easy answers from these films, but the images, the feelings they evoke and the threads left tantalisingly dangling at the close should please the established fanbase. SSP
Review in Brief: Pearl (2022)
X was a huge surprise horror hit earlier in 2022, so when the news dropped that director Ti West and star Mia Goth had simultaneously shot a prequel movie in secret, fans were eager to see what came next (or before). A 1920s-set small town girl dreaming of fame story but with a playful relationship to the early years of Hollywood and a seriously wicked streak running right though it, the account of how the wide-eyed young Pearl (Goth) became a decrepit serial killer is as enthralling as it is bloody and bizarre. West’s visual sensibilities, in particular how he plays with reality and pastiches music hall and movie musicals, will have you transfixed, but it’s Goth’s deranged central performance and especially a painfully uncomfortable long-take at the film’s close that’ll haunt your dreams. SSP
Review in Brief: Living (2022)
How can you improve on a classic from a master? You lean into the period detail, come at it from a new cultural perspective and make the meditation on mortality even sadder. Based on Akira Kurosawa’s IKIRU, Oliver Hermanus’ (director of Moffie) new film follows Williams (Bill Nighy), a local government middle manager who has let life slip by and is now faced with a terminal diagnosis. He finally decides to live, forges and unexpected connection with the ambitious Margaret (Aimee Lou Wood) and aims to actually get something worthwhile done in his coasting department in the time he has left. Maintaining the British stiff-upper-lip ensures that the closest Williams ever comes to telling his family how soon he’s going to die is rehearsing it to a coat stand. LIVING is unassuming, but it’s compellingly honest and really stays with you. SSP



