Terry Gilliam Movies Ranked

https://www.thefilmagazine.com/terry-gilliam-movies-ranked/ SSP

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The Marvels (2023) Review

https://www.thefilmagazine.com/the-marvels-2023-review/ SSP

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Poor Things (2023) Review

https://www.thefilmagazine.com/poor-things-2023-review/ SSP

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Animated Disney Villains Ranked

https://www.thefilmagazine.com/animated-disney-villains-ranked/ SSP

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Saw X (2023) Review

https://www.thefilmagazine.com/saw-x-2023-review/ SSP

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‘Steamboat Willie’ at 95 – Review

https://www.thefilmagazine.com/steamboat-willie-95-review/ SSP

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Akira Kurosawa, Toshiro Mifune: Cinema’s Greatest Collaborations

https://www.thefilmagazine.com/kurosawa-mifune-film-collaborations/ SSP

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Review in Brief: Barbie (2023)

BARBIE is the very best version of what this could ever be, and studios will inevitably learn all the wrong lessons from it. Why would a Barbie (Margot Robbie) living in a perfect Barbie world all of a sudden start thinking about death? Barbie and her needy hanger-on Ken (Ryan Gosling) travel to the real world to find out, and discover that a Barbie being able to do anything hasn’t fixed the world for women. Portraying a certain idea of a perfect woman and making her interesting is a tough ask but the endlessly versatile Robbie is more than up to the challenge. Gosling fully commits to bringing Ken to life with all his self-doubt, non-threatening vacancy and dangerous susceptibility to toxic ideas. The film isn’t just witty and unexpectedly balanced in its deconstruction of the big brand it is advertising but it’s among the most laugh-out-loud-funny films of the year and in Greta Gerwig’s hands has a pleasing, hand-made, Classic Hollywood look to boot. SSP

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Review in Brief: Oppenheimer (2023)

Of all Nolan’s films, OPPENHEIMER is the sexy one?! A 3 hour, talky, philosophical character drama isn’t most people’s idea of a must-see crowd-pleaser, but it’s making waves. The time taken and the deliberate pacing, paired with stylistic signifiers of differing points of view and warped takes on reality makes this one hell of an intensive and fascinating character study. In a typically Nolan, non-chronological fashion, we follow J Robert Oppenheimer (Cillian Murphy) the “Father of the Atom Bomb”, his race against time during WWII to deliver the weapon and his fall from grace in the decade that followed. Murphy’s transcendent central performance threatens to overwhelm the rest of this talented ensemble (Robert Downey Jr and Matt Damon still stand out) but everyone gets at least one showstopping moment. What will stay with you the most beyond individual wondrous and terrifying images is the unrelenting wall of sound, the encroaching sound of guilt and our doom. SSP

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Review in Brief: Mission Impossible – Dead Reckoning Part One (2023)

As impressive as the bike jump off a cliff is, that’s only the appetiser in a particularly audacious action finale. In the particularly relevant, perhaps penultimate Mission: Impossible, Ethan Hunt (Tom Cruise) and his IMF team battle an AI that has gained self-awareness and is sewing chaos and the threat of nuclear war across the world. DEAD RECKONING PART ONE is touching on three hours but somehow doesn’t feel like it. Famously, since Christopher McQuarrie took over the reigns of the franchise, ideas for action scenes are thought up first and the script weaved between them, so the final product is miraculously coherent considering. The scale and stakes have never been higher and Cruise and the cast, particularly new addition Hayley Atwell, couldn’t be more game for whatever madness is thrown at them. What on earth will they come up with for Part Two? SSP

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