Monthly Archives: November 2020
Review in Brief: A White, White Day (2019)
A WHITE, WHITE DAY is a film, like its protagonist (a craggy, mesmerising Ingvar Sigurdsson), utterly consumed by grief. The imposing Icelandic landscape blurs the line between life and death, beauty and bleakness, memory and reality. Little moments of quiet … Continue reading
Review in Brief: Ainu Mosir
The Ainu are the aboriginal people of Hokkaidō, Japan’s large northern island. Following centuries of oppression, discrimination, cultural invalidation, the Ainu were officially recognised as indigenous people of Japan in 2008. AINU MOSIR (after the Ainu name for Hokkaidō) tells … Continue reading
Review in Brief: I’m Thinking of Ending Things (2020)
I’M THINKING OF ENDING THINGS is challenging, elusive, indulgent, alienating – a Charlie Kaufman film, in short. Like pretty much all of his work, reality is brought into question minute by minute, nobody ends up playing exactly the same character … Continue reading
Review in Brief: Rocks (2019/20)
The wonderful ROCKS completely broke me multiple times. It is the most loving tribute to friendship and the collaborative process of filmmaking. Thanks to director Sarah Gavron’s process involving classroom-based intensive workshopping and invaluable, grounding input from the young cast, … Continue reading
Review: Tenet (2020)
Turn the music down when people are talking Nolan – you’ve been told before! TENET is perhaps Christopher Nolan’s most elusive film after MEMENTO, and not always for the reasons intended. Strap yourselves in for a thrilling, but frustrating ride. … Continue reading